Schloss Langenstein

The front nine is routed over largely open, rolling land, whereas the back nine has a few twists and turns, such as lakes and a canyon. Of course the castle itself also provides a spectacular backdrop for a number of holes, not least of which is the 317-metre 18th, which runs alongside it.

There are, however, good holes to be found in every part of the layout, be it the water-threatened sequence of holes between the 10th and the 15th or the routing across the nicely undulating terrain from the 7th to the 9th. The round is however rather slow to start with the first three holes being subdued, despite an element of deception, for example in the first approach or the third tee shot. Overall this is a highly diversified design, sporting carefully thought-out shot values, but perhaps Schloss Langenstein is not as bold as might be expected from a young architect with a Dye/Coore background.

Architect, Rod Whitman, kindly provided us with the following article on Schloss Langenstein:

“I was introduced to Axel Graf Douglas, the owner of the Langenstein estate in the late 1980s, by a man named Dan Peasant. He was at one time the director of golf at Casa de Campo, Pete Dye’s course in the Dominican Republic. I believe my good friend Bill Coore spoke to Dan about me and encouraged him to talk with me about prospective design projects.

After some initial meetings, Mr. Douglas retained me as the golf course architect. The goal was to design and build one of the premier private courses in Germany. Mr Douglas was a very supportive owner, with a great understanding of the creative nature of golf course design.

A great deal of time was spent trying to come up with a routing that best complemented the topography and worked with the existing land parcels. As golf was still a relatively new sport to the German public, a 9-hole par three course, along with a separate driving range, was incorporated into the plan.

I lived on site, usually four to six weeks at a time, managing the construction and doing some of the feature shaping myself. I also had a shaper from Canada, Brad Dupuis, assist in construction. An Austrian contractor was retained to do most of the bulk dirt work, drainage, and lake excavation.

Schloss Langenstein was my third solo design project. It remains today one of my favourite projects. Two years ago I visited Langenstein and toured the course with the superintendent and the manager Marc-Frederik. The conditioning was quite good, and the course has matured nicely. It was for me, personally, a great experience to live and work in Germany, and I am thankful for that opportunity.”